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However, the earliest dates from c. 1800. It once belonged to
the English essayist Charles Lamb and is complete with its
original tin and velvet case. |
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Charles Lamb Inkwell, England
c 1790-1800, silver, glass, tin & velvet |
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The ‘newest’ inkstand is a brass Art Deco style from Austria
dating to c. 1910, (shown left). |
Art
Deco, Austrian
c 1910,
brass & glass |
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Although the collection is predominately English and American, there are also a few European, Oriental and Middle Eastern pieces. The collection represents Mr. Colony’s eclectic taste and the theme of some shows his love
of collecting animal images. |
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Lion, England
c 1890,
bronze & glass |
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Dog & Pillow,
America
c 1890, brass & glass |
| Inkstands and inkwells evolved in a time before the advent of ballpoints and
felt tip pens and can be traced back to ancient Egypt. Early ones were designed to store powdered pigment.
The pigment was mixed with water as needed. As time went on, the development of non-porous material enabled liquid ink
to be stored without evaporation. For centuries, writing letters was the main means of communication among all
literate people. Homes often had at least one desk or a surface set aside to write.
Upper class homes demanded more elaborate furnishings. This expensive taste extended to writing accoutrements
for the desk. Thus developed a demand for inkstands of finer materials and of interesting, creative designs. Mr. Colony’s collection is mostly from the Victorian era, with highly decorated and often creative designs. They range from single inkwells to elaborate stands with two inkwells and pen holders. Some were intended for the office, hotel or private home. One contains a scale to weigh your letters to determine the proper postage, another comes complete with a manual calendar. |
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Left
Reliance Postal Scale & Inkwell
America ,c1890 plated tin, pewter & glass |
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Inkwell with
Calendar, America
c1890, cast brass & pressed glass |
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| There are two portable inkwells with spring operated covers to prevent
ink from spilling, even when carried in a pocket. One of these is in the shape of a tiny heart,
perhaps a gift to a traveler from a loved one left at home – and also a gentle reminder to keep in touch!
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As a statement against the industrialization of the Victorian age, the Art Nouveau period of the late 1800’s focused on the natural world for inspiration. Animals and plants were popular inkstand themes in this time period and the collection contains several examples of these. |
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Chestnut America
c1900
painted bronze & glass |
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Bee
Skeep England
c1900
brass with Agate & Cornelian |
Sphere on Eagle Europe
c1880, brass & ceramic
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Monkey in a Pot
America
c1880, brass & glass
|
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Floral Stone
Inlay England
c1880, stone, glass & silver |
Owl
(closed) England
c1880, brass, glass & wood |
Owl (open) |
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Egg, Chick & Leaf Europe
c1880, painted brass & ceramic |
Scribe's Case
Middle East,
c1880, brass |
Leaf America c1880
painted iron & green glass |
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Web Site Link:
The Society of
Inkwell Collectors
www.soic.com
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Hotel Desk Style America
c1880, cast iron & pressed glass |
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Cut Crystal
Inkwell America
c1900, cut crystal & brass |
Inkstand Bibliography
Badders, Veldon. Collector's Guide to Inkwells, Book I. Collector Books,
Paducah KY., 1995. Badders, Veldon. Collector's Guide to Inkwells, Book II. Collector Books,
Paducah, KY, 1998. Covill, William E. Ink Bottles and Inkwells. William S. Sullwold, Taunton,
MA. 1971.
Hunting, Jean and Franklin. The Collector's World of Inkwells. Schiffer
Publishing, Ltd., 2000
Odell, John. Digger Odell's Official Antique Bottle and Glass Collector Magazine Price Guide, Volume 4, Ink Bottles. 1995
Odell, John. Digger Odell's Official Antique Bottle and Glass Collector
Magazine Price Guide, Volume11, More Inks. 1998
Rivera, Betty and Ted. Inkstands & Inkwells. Crown Publishers, Inc., New
York. 1973
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